Jamelie Hassan
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Articles, Interviews & Reviews

  • 2021: Nadia Kurd, BlackFlash, vol., Saskatoon, SK.
  • 2016: Ann Ireland, Here and There, The Migrations of Jamelie Hassan and Ron Benner, feature article, Canadian Art, Toronto, spring
  •  2016: ​Julian Haladyn, Nur: Jamelie Hassan's History of the Present, Yishu, Contemporary Chinese Art, Taiwan, Vol 15. No. 1, Jan/Feb.
  • 2010: Adrienne Chabon, What Can Art do for Social Work?/Ce que l'art fait au travail social : un dialogue possible, Canadian Social Work Review
  • 2009: Deborah Root, The Mystical Language of the Everyday: Jamelie Hassan's At The Far Edge of Words, feature article on C Magazine, fall
  • 2009: Marnie Fleming, Jamelie Hassan: at The Far Edge of Words, on-line review, Canadian Art​
  • 2006:
  • 2006: Jamelie Hassan, Linkage,1993 - ongoing, billboard project, BlackFlash, vol.23.3, Saskatoon, SK.
  • 2005: Jamelie Hassan: BuBuilding an Inventory, article by Jamelie Hassan, Fuse Magazine, Toronto, vol. 28 No.1
  • 2001: Jamelie Hassan, Rummana Hussain's In Order to Join, Fuse, vol.24 # 3, Toronto, Ontario
  • 2000: Sue Malvern, WarZones, Presentation House and Collapse, Vancouver, B.C.
  • 1998: Charlotte Bydler, The Artist in the Age of Post-Colonial Theory, Jamelie Hassan according to Gayatri Chakravorty Spivak, artorbit, website journal for Modernet Museet, Stockholm, Sweden
  • 1998: Mireya Folch-Serra, Geography, Diaspora and the Art of Dialogism, Jamelie Hassan, Parachute, #90, front cover, article, pg 10-17
  • 1998: Tarot Jigs (& bird chance): Jack Niven, Lola #2, Toronto, review by Jamelie Hassan, summer  Ontario, April/May/June
  • 1997: Elizabeth Martin & Vivian Meyer, Femala Gazes, Seventy-Five Women Artists, Second Storey Press, Toronto, Ontario
  • 1996: " Acting Bits, Identity Talk" in Geography and Identity, Living and Exploring Geopolitics of Identity, editor Dennis Crow, Maisonneuve Press, Washington, USA
  • 1997: Lynne Bell & Carol Williams, “Learn the Alif-Ba -Ta”: an interview with Jamelie Hassan & front cover West Coast Line, Vancouver, #23, fall
  • 1996: Kim Bradley, Museum in Transit(ion): The End(s) of the Museum, Parachute, vol. 81, pg. 40-41. Jan/ Feb/ March 
  • 1995: “Acting Bits/Identity Talk” in Identities, editors Henry Louis Gates, Jr. & Kwame Anthony Appiah, The University of Chicago Press, Chicago, pg. 147 - 180
  • 1995: Jamelie Hassan: Citizen's Arrest, Border/Lines, vol. 36, front, back, and inside cover
  • 1995: Jamelie Hassan, Re-Orienting Asian, review of Millie Chen, "Cook & Crave", exhibit at YYZ, Toronto, Fuse Magazine, vol. 18, no. 5, Toronto, Ont., special issue
  • 1995: Jamelie Hassan, Istanbul Bienali  review by Jamelie Hassan,  published in Turkish, Arredamento, vol. 12, pg. 104, Istanbul, Turkey
  • 1994: Esther Lee Deitch, The Art of Jamelie Hassan, Matriart, vol. 4, no. 2, pg. 6-11
  • September 1993: Oscar Caballero, (Spanish), Un Mediterraneo Imaginario, El Guia, vol. 21, no. 3, Barcelona, Spain
  • 1993: Monika Kin Gagnon, How to Bannish Fear: Letters from Calgary, Parallelogramme, vol. 19, no. 3, pg. 36-47
  • 1992: Gayatri Chakravorty Spivak, Identities, Critical Inquiry, The University of Chicago, Chicago, Ill., “Acting Bits/Identity Talk” essay, summer, vol. 18, #4 pg. 770-804
  • 1991: Monika Kin Gagnon, Reclaiming Home/ Reconquerir sa Patrie, Parallelogramme, vol. 17, no. 1
  • 1990: Ruptures in the Landscape of the Photograph, essay 9, Thirteen Essays on Photography, Canadian Museum of Contemporary Photography, 1990
  • 1989: Monika Kin Gagnon, Al Fannanah 'l Rassamah: the Work of Jamelie Hassan, article, Vanguard, November, vol. 17, no. 5
  • 1988: Monika Kin Gagnon,  Al Fannanah 'l Rassamah: the Work of Jamelie Hassan, article, Third Text, London, England, summer #7, pg. 23-32​
  • 1988: Renee Baert, Legitimation, catalogue essay, Galerie Powerhouse, Montreal, QC
  • 1988: Margaret Christakos Identity & Resistance, review of Nationalisms: Women & The State, group exhibition at A Space Gallery, Toronto, Fuse Magazine, vol. 11, no. 6, July
  • 1984: Judith Doyle, review of solo exhibition, London Regional Art Gallery, April 27 to June 24, vol. 13, no. 7, September 
  • 1984: Christopher Dewdney, Jamelie Hassan, Material Knowledge: A Moral Art of Crisis, London Regional Art Gallery

© 2020 | All rights reserved | Jamelie Hassan 
Website Design: Tariq Gordon 
| Website Editor: Kian Saadani-Gordon

Jamelie Hassan is a visual artist and activist based in London, Ontario. Since the 1970's, she has exhibited widely in Canada and internationally. She is also active as a lecturer, writer and independent curator and has travelled and worked globally.

​In 
2001 she received a Governor General's Award in Visual and Media Arts in recognition of her artistic achievement. Her activism, curatorial work and contributions to the artist-run centre movement in Canada were also mentioned by the jury in their statement.

​London, Ontario is on the traditional lands of the Anishinaabeg, Haudenosaunee, Lenape, Attawandaron and Huron-Wendat peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Wampum and other treaties.

© 2024 | All rights reserved | Jamelie Hassan 
Website Design: Tariq Gordon 
​
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  • Home
  • News and Events
  • About
    • Education
    • Awards and Recognitions
    • Solo Exhibitions >
      • Re-enacting Resistance
      • At The Far Edge of Words
    • Group Exhibitions
    • Public Collections
    • Commissions
    • Curatorial Projects
    • Lectures
    • Experience/Activism
  • Media
    • Publications
    • Print Reviews
    • Online Media
  • Contact