Nur, published by Blue Medium Press, London, Ontario, 2015

​​Selected Publications 

• 2019: Materials, Support Gallery, London, Ontario
• 2019: Mayworks Windsor, editors Susan Gold and Elainee Carr
• 2016: Lee Rodney, Looking Beyond Borderlines: North Americas Frontier Imagination, Routledge, New York, USA
• 2016  Journal of Asian Diasporic Visual Cultures and the Americas (ADVA journal) special issue of symposium papers, Home Ground: Canadian Perspectives, Aga Khan Museum, Toronto, Ontario; co-chairs/editors Jamelie Hassan and Ruba Kan'an
• 2015: Jamelie Hassan, Julian Haladyn, Miriam Jordan-Haladyn, Nadia Ma and Christine Platt, Nur, published by Blue Medium Press, London, Ontario
• 2014: Lisa Taylor interview with Jamelie Hassan, Muslim Women, Transnational Feminism and the Ethics of Pedagogy, editors Lisa Taylor and Jasmine Zine, Routledege, New York
• 2014: Miriam Jordan-Haladyn, Dialogical Materialism: Bakhtin, Embodiment and Moving Image Art, American University Studies, Peter Lang, Germany
• 2012: The Embassy Cultural House, 1983 to 1990, editor Robert McKaskell, Museum London, London, Ontario
• Spring 2010: Other Echoes in the Garden, in “Witnessing in Post-Conflict Contexts”, special issue of Humanities Research, Australia National University, Canberra, editor Rosanne Kennedy
• ​2009: Guest editor, special issue of West Coast Line, Vancouver- based journal on material and texts related to Orientalism & Ephemera
• 2008: Citizenship and Cultural Belonging, special issue edited by Sophie McCall and David Chariandy, West Coast Line, Vancouver, issue 59
• 2008: decentre concerning artist-run culture/ à propos de centres d’artistes, YYZ Books, Toronto
• 2008: Paradoxical Citizenship, Essays on Edward Said, photograph, front cover, edited by Silvia Nagy-Zekmi, Lexington Books,USA
• 2008: Re-Arranging Desire: Curating the Other Within, edited by Alice Ming Wai Jim, co-publication by the Gail & Stephen A. Jarislowsky Institute for Studies in Canadian Art and The Faculty of Fine Arts (FOFA) Gallery, Concordia University, Montreal, Quebec
• 2004: This Evasive Text essay by Jamelie Hassan in “Obsession, Compulsion, Collection”, Banff International Curatorial Institute, Banff, Alberta, anthology edited by Anthony Kiendl
• 2001: Amani 2001, in Les Tours De Babel: la paix apres le 11 septembre, Les 400 Coups, Montreal, Que. Editor Jean Pichette​
• 2000: Monika Kin Gagnon, Other Conundrams: Race and Cultural in Contemporary Canadian Art, Artspeak & Arsenal Press, Vancouver, B.C.
• 2000: Anne Newlands, Canadian Art: From Its Beginnings To 2000, Firefly Books, Toronto, Ontario
• 2000: Ella Shohat, editor, Talking Visions: Multicultural Feminism in a Transnational Age, New Museum of Contemporary Art, New York and MIT Press, images pg.360 & 374
• 2000: Vues, Villa Saint-Clair, residence d’artistes, Sète, 1988-2000, anthology, Co-Edition Villa Saint Clair - Nouvelle Vague, Sète, France
• 1999:  Not Laura Secord, in anthology “So To Speak”, Artexte Editions, Montreal, Quebec
• 1997: Elizabeth Martin & Vivian Meyer, Femala Gazes, Seventy-Five Women Artists, Second Storey Press, Toronto, Ontario
• 1996: " Acting Bits, Identity Talk" in Geography and Identity, Living and Exploring Geopolitics of Identity, editor Dennis Crow, Maisonneuve Press, Washington
• 1996: Dodge Ball' : Cultural Differences and Local Knowledges", in anthology of working papers from conference, Naming a Practice : Curatorial Strategies for the Future Curating a Practice, edited by Peter White, Banff Centre of Fine Arts
• 1996:  What Counts as Culture, in anthology,Theory Rules: Art as Theory/Theory and Art, edited by Jody Berland, Will Straw and David Tomas, published by University of Toronto and YYZ Gallery
• 1995: Jamelie Hassan/Monika Kin Gagnon, “Du 25 October Au 21 Novembre 1993, Letter to Jamelie” (French & English) Résidence, 1982 - 1993, La Chambre Blanche, Que. Que .pg. 303 - 308
• 1994:  Al Fannanah 'l Rassamah: The Work of Jamelie Hassan, Sightlines: Reading Contemporary Canadian Art, anthology edited by Jessica Bradley & Lesley Johnstone, Artextes Editions, pg. 402 - 412
• 1994: Outside in the Teaching Machine, Routledge, essay, "Inscriptions: of Truth to Size", pg. 201 -216
• 1993: Heesok Chang, Larissa Lai, and Kirsten McAlister catalogue texts, Interruption, Or Gallery, Vancouver, BC
• 1993: Smyia wa Ayshia, artist project, Le Milieu du Monde, published byActes Sud/Region Languedoc Roussillon, France
• 1993: Shame, artist project, Disrupted Borders, published by River Oram press, London, England
• 1992: Identities, Critical Inquiry, The University of Chicago, Chicago, Ill., “Acting Bits/Identity Talk” essay, vol. 18, #4 pg. 770-804
• 1991: Planning: power, politics and people, discussion in If you lived here....The City in Art, Theory and Social Activism, a project by Martha Rosler, DIA Art Foundation, New York, U.S.A., pg. 237 - 270
• ​1990: Gayatri Chakravorty Spivak, Inscriptions of Truth to Size, catalogue essay, Dunlop Art Gallery, Regina, Sask.
• ​1989: The Zone of Conventional Practice and Other Real Stories, Optica, Montreal, Que., editor Cheryl Simon, pg. 181-189
• 1988: Gisele Amantea, White Folly, catalogue text, Southern Alberta Art Gallery, Lethbridge, Alberta
• Spring 1988: Jim Miller: Poison Pen, A Story of Wrongful Dismissal, Forest City Gallery and East of Adelaide, London Regional Art Gallery, review, Canadian Art, Toronto, Ontario
• September-October 1987: Hans Haacke, review, Mendel Art Gallery, Sask. Vanguard, Vanvouver, B.C.
• 1985: Pressure of a Body, review, Judith Schwarz, "C" Magazine, Toronto, #5, Toronto, Ontario
• 1985: The Oblivion Seekers, Descant #50, Toronto, Ontario
• 1984: Cité Internationale des Artes, Paris, Susanna Heller and Jamelie Hassan in Conversation, Embassy Cultural House Tabloid, #8, London, Ontario
• 1983: Krysztos Wodiczko: Imprisonment and Release, Embassy Cultural House Tabloid, #4, London. Ontario
• 1983: Is War Art?, Incite, vol.1, no.1, Toronto, Ontario​