Jamelie Hassan
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Nur, published by Blue Medium Press, London, Ontario, 2015

​​Selected Publications 

  • 2022: Sherri Levin, Immaterial: Rules in Contemporary Art, Oxford University Press
  • 2019: Materials, Support Gallery, London, Ontario
  • 2019: Mayworks Windsor, editors Susan Gold and Elaine Carr
  • 2016: Lee Rodney, Looking Beyond Borderlines: North Americas Frontier Imagination, Routledge, New York, USA
  • 2016  Journal of Asian Diasporic Visual Cultures and the Americas (ADVA journal) special issue of symposium papers, Home Ground: Canadian Perspectives, Aga Khan Museum, Toronto, Ontario; co-chairs/editors Jamelie Hassan and Ruba Kan'an
  • 2015: Jamelie Hassan, Julian Haladyn, Miriam Jordan-Haladyn, Nadia Ma and Christine Platt, Nur, published by Blue Medium Press, London, Ontario
  • 2014: Lisa Taylor interview with Jamelie Hassan, Muslim Women, Transnational Feminism and the Ethics of Pedagogy, editors Lisa Taylor and Jasmine Zine, Routledege, New York
  • 2014: Miriam Jordan-Haladyn, Dialogical Materialism: Bakhtin, Embodiment and Moving Image Art, American University Studies, Peter Lang, Germany
  • 2012: The Embassy Cultural House, 1983 to 1990, editor Robert McKaskell, Museum London, London, Ontario
  • Spring 2010:  Other Echoes in the Garden in “Witnessing in Post-Conflict Contexts”, special issue of Humanities Research, Australia National University, Canberra, editor Rosanne Kennedy
  • ​2009: Guest editor, special issue of West Coast Line, Vancouver- based journal on material and texts related to curatorial project Orientalism & Ephemera 
  • 2008: Citizenship and Cultural Belonging, special issue edited by Sophie McCall and David Chariandy, West Coast Line, Vancouver, issue 59
  • 2008: decentre concerning artist-run culture/ à propos de centres d’artistes, YYZ Books, Toronto
  • 2008: Paradoxical Citizenship, Essays on Edward Said, photograph, front cover, edited by Silvia Nagy-Zekmi, Lexington Books,USA
  • 2008: Re-Arranging Desire: Curating the Other Within, edited by Alice Ming Wai Jim, co-publication by the Gail & Stephen A. Jarislowsky Institute for Studies in Canadian Art and The Faculty of Fine Arts (FOFA) Gallery, Concordia University, Montreal, Quebec
  • 2006: Linkage, 1993 - ongoing, billboard project, Jamelie Hassan, BlackFlash, vol.23.3, Saskatoon, SK.
  • 2004: This Evasive Text essay by Jamelie Hassan in “Obsession, Compulsion, Collection”, Banff International Curatorial Institute, Banff, Alberta, anthology edited by Anthony Kiendl
  • 2001: Amani 2001, in Les Tours De Babel: la paix apres le 11 septembre, Les 400 Coups, Montreal, Que. Editor Jean Pichette​
  • 2000: Monika Kin Gagnon, Other Conundrams: Race and Cultural in Contemporary Canadian Art, Artspeak & Arsenal Press, Vancouver, B.C.
  • 2000: Anne Newlands Canadian Art: From Its Beginnings to 2000, Firefly Books, Toronto, Ontario
  • 2000: Ella Shohat, editor, Talking Visions: Multicultural Feminism in a Transnational Age, New Museum of Contemporary Art, New York and MIT Press, images pg.360 & 374
  • 2000: Vues, Villa Saint-Clair, residence d’artistes, Sète, 1988-2000, anthology, Co-Edition Villa Saint Clair - Nouvelle Vague, Sète, France
  • 1999: Jamelie Hassan, Not Laura Secord, in anthology “So To Speak”, Artexte Editions, Montreal, Quebec
  • 1997: Elizabeth Martin & Vivian Meyer, Femala Gazes, Seventy-Five Women Artists, Second Storey Press, Toronto, Ontario
  • 1996:  Gayatri Chakravorty Spivak, " Acting Bits, Identity Talk" in Geography and Identity, Living and Exploring Geopolitics of Identity, editor Dennis Crow, Maisonneuve Press, Washington
  • 1996: Jamelie Hassan, "Dodge Ball: Cultural Differences and Local Knowledges", in anthology of working papers from conference, Naming a Practice : Curatorial Strategies for the Future Curating a Practice, edited by Peter White, Banff Centre of Fine Arts
  • 1996: Jamelie Hassan, "What Counts as Culture" in anthology, Theory Rules: Art as Theory/Theory and Art, edited by Jody Berland, Will Straw and David Tomas, published by University of Toronto and YYZ Gallery
  • 1995: Jamelie Hassan/Monika Kin Gagnon, “Du 25 October Au 21 Novembre 1993, Letter to Jamelie” (French & English) Résidence, 1982 - 1993, La Chambre Blanche, Que. Que .pg. 303 - 308
  • 1994: Monika Kin Gagnon,  "Al Fannanah 'l Rassamah: The Work of Jamelie Hassan", Sightlines: Reading Contemporary Canadian Art, anthology edited by Jessica Bradley & Lesley Johnstone, Artextes Editions, pg. 402 - 412
  • 1994: Gayatri Chaakravorty Spivak, Outside in the Teaching Machine, essay, "Inscriptions: of Truth to Size", Routledge pg. 201 -216
  • 1993: Heesok Chang, Larissa Lai, and Kirsten McAlister catalogue texts, Interruption, Or Gallery, Vancouver, BC
  • 1993: Jamelie Hassan Smyia wa Ayshia, artist project, "Le Milieu du Monde", published by Actes Sud/Region Languedoc Roussillon, France
  • 1993: Jamelie Hassan, Shame, artist project, "Disrupted Borders", editor Sunil Gupta, published by River Oram Press, London, England
  • 1992: Gayatri Chaakravorty Spivak, Identities, Critical Inquiry, The University of Chicago, Chicago, Ill., “Acting Bits/Identity Talk” essay, vol. 18, #4 pg. 770-804
  • 1991: Jamelie Hassan, Planning: power, politics and people, discussion in If you lived here....The City in Art, Theory and Social Activism, a project by Martha Rosler, DIA Art Foundation, New York, U.S.A., pg. 237 - 270
  • ​1990: Gayatri Chakravorty Spivak, Inscriptions of Truth to Size, catalogue essay, Dunlop Art Gallery, Regina, Sask.
  • 1989: Renee Baert,  Legitimation, exhibition catalogue, Gallerie Powerhouse, Montreal, Quebec
  • ​1989: The Zone of Conventional Practice and Other Real Stories, Optica, Montreal, Que., editor Cheryl Simon, pg. 181-189
  • 1988: Jamelie Hassan, Gisele Amantea, White Folly, Gisele Amantea: White Follycatalogue text, Southern Alberta Art Gallery, Lethbridge, Alberta
  • Spring 1988: Jamelie Hassan, Jim Miller: Poison Pen, A Story of Wrongful Dismissal, Forest City Gallery and East of Adelaide, London Regional Art Gallery, review, Canadian Art, Toronto, Ontario
  • 1987: Jamelie Hassan, Hans Haacke, review, Mendel Art Gallery, Sask. Vanguard,Vancouver, BC , September-October
  • 1985: Jamelie Hassan,  Pressure of a Body, review, Judith Schwarz, "C" Magazine, Toronto, #5, Toronto, Ontario
  • 1985: Jamelie Hassan, The Oblivion Seekers, Descant #50, Toronto, Ontario,
  • 1984: Christopher Dewdney,  Jamelie Hassan, Material Knowledge: A Moral Art of Crisis, London Regional Art Museum
  • 1984: Cité Internationale des Artes, Paris, Susanna Heller and Jamelie Hassan in Conversation, Embassy Cultural House Tabloid, #8, London, Ontario
  • 1983: Jamelie Hassan, Krysztos Wodiczko: Imprisonment and Release, Embassy Cultural House Tabloid, #4, London. Ontario
  • 1983: Jamelie Hassan, Beyrouth - is war art?, Incite vol.1, no.1, Toronto, Ontario​

Jamelie Hassan is a visual artist and activist based in London, Ontario. Since the 1970's, she has exhibited widely in Canada and internationally. She is also active as a lecturer, writer and independent curator and has travelled and worked globally.

​In 
2001 she received a Governor General's Award in Visual and Media Arts in recognition of her artistic achievement. Her activism, curatorial work and contributions to the artist-run centre movement in Canada were also mentioned by the jury in their statement.

​London, Ontario is on the traditional lands of the Anishinaabeg, Haudenosaunee, Lenape, Attawandaron and Huron-Wendat peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Wampum and other treaties.

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  • Home
  • News and Events
  • About
    • Education
    • Awards and Recognitions
    • Solo Exhibitions >
      • Re-enacting Resistance
      • At The Far Edge of Words
    • Group Exhibitions
    • Public Collections
    • Commissions
    • Curatorial Projects
    • Lectures
    • Experience/Activism
  • Media
    • Publications
    • Print Reviews
    • Online Media
  • Contact